In this activity the children will compose a short piece using just one note. They will use dynamics, articulations and other techniques to create musical expression.
'Using only one note compose a short piece of music – all I ask is that you don’t bore me!'
- Murray Schafer, Composer
Limiting choices is an effective strategy for composing and can encourage creativity. When starting to compose, there are often too many decisions to be made and so limiting choices can be helpful.
This activity narrows down the decisions to be made through working with only one pitch. Through the activity, young people will explore using rhythm, timbre, pacing and articulation expressively in their composing. The activity works effectively with any level of technical skill, from beginner to professional and allows each child to be individually creative within a clear structured framework.
The children will:
Resources needed: whiteboard, pens and wipes
Warm Up One: Circle Sounds
Stand or sit with the children in a circle with their instruments. Demonstrate and play together a short, staccato note, explaining the technique of how to do this well.
Ask each person to play their short note one at time around the circle. The only rule is that you cannot play your note until your neighbour has played. Ask the children to send the short note around the circle as quickly as possible! Do this a couple of times, changing the direction the second or third time.
Now play the game again but this time using a long note. Each person can decide how long their note is. Again, each person must wait for the preceding note to finish before they can play.
Now each person can choose whether to play a short staccato note or a long note. Again, the only rule is that you must play as soon as possible after the preceding note has ended. Encourage the children to choose whether to play a short or long note depending on what has preceded it. Describe the patterns created and the effect of the combinations of short and long notes.
Warm up Two: Copy Me
Play a simple idea on one pitch on your own instrument and ask the children to copy you, all together, as precisely as possible - on any note they choose. Do not set a fixed pulse. Vary your musical ideas. Make them lively and unpredictable. Incorporate different playing techniques, a wide range of dynamics, articulations and rhythms. Make sure that the children are copying you accurately. Repeat the idea if the children are not accurate at the first attempt.
Ask the children to notice and describe the different musical ideas and ways of playing that you have used. Make a list together, adding any the children miss out. Demonstrate and encourage the children to describe the sounds in their own words.
Explain that each person will compose their own piece of music using only one note.
Give everyone one or two minutes to compose a short and simple one note musical idea using just long and short notes and silences. Remind the children that they can use any note.
Then ask them to add different dynamics, playing techniques and articulations. Ask them to memorize their idea, and to notice what kinds of sounds or patterns they are using.
The children’s ideas will be diverse: some will use rhythmic patterns; some will concentrate more on timbre, dynamics and articulation with more abstract results. Some will have pulse and others not. All are valid responses. Value each child’s idea and encourage this diversity.
Listen to some of the ideas and model describing verbally the different musical elements being used and their effectiveness. Continue with this asking the children to describe the ideas and to suggest ways to improve them. E.g. maybe by adding in a silence, a tremolo/trill, or varying the note lengths more.
Now play the children your own one note idea and follow this with a simple variation on it (e.g. loud version, add a note on the end). Ask the children to listen and notice what was the same and what had changed? You may need to repeat this to build up a repertoire of variation possibilities for the group to use.
Give the children about 5-10 minutes to create variations of their one note idea. Ask everyone to find a partner to play their variations to. Ask them to listen to each other and notice what has been varied from the original. As you go round listening to the children’s ideas, remind them to use articulations, dynamics, etc. Spotlight different children ideas to demonstrate effective use of this.
Now ask them to create a completely contrasting idea but still on the same note. The children now have their original idea, two variations and a contrasting idea.
At this point you could ask the children to find a way to draw their ideas e.g. using dots and dashes. They can use this later for structuring their ideas if they would like.
Variation one (backwards)
Variation two (jumbled up)
Play the children your original idea, its two variations and your contrasting idea. Model organising these to make a short piece. It is important to demonstrate different ways that you could do this effectively so the children don't just think there is one way to do it. See examples on the below and right. Ask the children to listen and explain the structure that they hear.
Example 1: original, variation 1, original, variation 2, original
Now ask the children to compose their own a short piece using their original idea, their two variations and their contrasting idea. Explain to the children that: they don't have to use all their ideas, they can repeat ideas as many times as they like, and they can revisit ideas.
Listen to the final pieces and again ask the other children to work out the structure of each other's pieces and to comment on what they thought worked well in the music.
Example 2: original x 5, contrasting idea, variation 2 (loud)
Extension: create a one note piece for the ensemble or class
Chose some of the children's pieces to turn into a whole ensemble or class piece. As a group decide whether: